At the beginning of the seventies, what time starting musicology studies at the institution of Paris 8(Vincennes), he naked the minimalist momentum through the work of its chief exponents: Phil Porthole and Terry Riley. This gave him conception inside weird perspectives, soothing him to work dry out. To that end, he enrolled at the Pantin Acdemy of Music, where he planned sympathy, counterpoint, pleasant-sounding analysis and orchestration under the run of Irene Jarsky.
On a plane to these actions, Jean-Philippe was evocative to start his talents as a artiste within a group called MADAME BERTRAND, an garments which at the time was in due course deprived to the duo of percussionist Olivier Cole and Jean-Philippe himself on keyboards, helped out by electronics wizard Francois Gingle, who adapted his synthesizers in order to trace the weirdest clang. Base this outline, Jean-Philippe uninhibited his to begin with assembly, called "JEUNES ANNEES" in 1975, a covering for which he had written all compositions. At any rate, the giving out of the assembly resulted in the termination of MADAME BERTRAND.
A few months when, Jean-Philippe, carefully recommended by ZAO's drummer Jean-My Truong, coupled Bernard Paganotti's band WEIDORJE in which he supportive keyboard duties with Patrick Gauthier, until 1979. Unmoving if his move with WEIDORJE proved admiringly resonant pleasantly talking, he felt drowsy of bountiful setbacks, due to the fact that the band couldn't manage to survive on its music entranced, and finished soon to the lead WEIDORJE strapped for cash up in curve of on top of cottage work.
Participating in his slouch with WEIDORJE, Jean-Philippe had ended friends with the home guitarist of the RAMSES cottage, Alain Ranval, bearing in mind the band was measuring tape a demo at this accepted cottage. Afterwards, Alain asked him to make whereabouts for the first showing assembly of ODEURS, the beginning of a dominant funds with the RAMSES team; Jean-Philippe, in turn, resorted to the cottage bearing in mind he ended devices to covering a dash solo assembly under his name, in the wake of WEIDORJE had disbanded.
"DRONES", as the assembly was called, was recorded in 1979, featuring the most grand bundle of musicians one might dream of. The music on this assembly was pictorial from pieces rearranged from numerous assembly, an singular work called "SUR UN AIR DE GYMNASTIQUE"; this was rumored for a gymnastics congress and had been issued a few months to the lead. The WEIDORJE power is no noise plain on some deactivate such as "Les Saturnales" or "Dies Irae", yet Jean-Philippe takes the music way remote the Zeuhl drive and offers a very strain perspective, which according to the grapevine contributed towards the album's richness and its cult rank until today.
Some time ago the giving out of "DRONES", work was surging in from all parts; formerly, Jean-Philippe collaborated on ODEURS's to begin with three albums; so he worked as an schedule and capable top-quality with the player Renaud for five albums; categorically, he ended his first showing as a rinse recording artiste, together with his old comrade Alain Ranval in "VIENS CHEZ MOI, J'HABITE CHEZ UNE COPINE", "CIRCULEZ Y'A RIEN A VOIR", directed by Patrice Leconte, "ELLE VOIT DES NAINS PARTOUT" and "LE PREFERE", not to observation intensive work in the outlook of music for promotion. This juncture of delirious work, for the most part done to earn a living, as Jean-Philippe was synthetic to deterioration his own pleasant-sounding asperations in the meantime, lasted about 1986.
From this time on, he worked entranced in clang protest rally purposely, collect for a funds with Maurice Dugowson on three new soundtracks: "CHANTONS EN CHOEUR", "Bamboozle" and "COMME PAR HASARD"; he exceedingly point in signature tunes for TV series (Cab, In shape DE MINUIT, which earned him a gold label of the BDA in Los Angeles, 1989, "A LA FOLIE", "Rhombus JE SERAI Amazing", "TRANCHE DE CAKE", "MY TELE IS Well-fixed", "CARACTERES", "GIGA", "HORS SUJET", "FAUTEUIL D'ORCHESTRE", "TRANCHE DE L'ART"...) and imaginary unstinted put on the air broadcasts for FR3, La5, RFO, A2, Stream J and CINE CINEMAS.
Being 1987, as he didn't try to be reputed unattached as a library music doer, he honest to carry out himself as a strain artiste, working under his own name on a new assembly which was in due course uninhibited in June 1992, entitled "DE ANIMA". This ambitious work presents an admiringly fair music, at grow old secure to award chamber music, which successively alternates lighter with sharper pieces, sometimes resolute, sometimes on top of introvert, yet ad infinitum benign, budding towards a world of inner pact and kindness, as emphasized by the light sounds of strings, basson or clarinet.
At the moment, Jean-Philippe works on yet numerous assembly, in search of the nothing short of staple of music, ensuring continuity in the typeface of his inventive hard work, for the aid of his bountiful admirers.
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Reference: witchnest.blogspot.com
